Godzilla Minus One (2023)
My husband is a big fan of Godzilla. Whenever a new film hits the theaters, we are there to see it. We first saw Godzilla Minus One when it came out in theaters in early December. We saw it a second time when they released the black and white version earlier this month. But this time we got to see it in 4DX.
Near the end of World War II, kamikaze pilot Koichi Shikishima (Ryunosuke Kamiki) diverts his plan to an outpost on Odo Island, pretending that there is a mechanical failure. That night, the island is attacked by a giant sea monster the locals call Godzilla. Everyone except lead mechanic Sosaku Tachibana (Munetaka Aoki) and Shikishima are killed. Ashamed of his cowardice, Shikishima returns home to Tokyo, only to find his parents died in an air raid. He meets Noriko Oishi (Minami Hamabe), a young woman who is caring for an orphaned baby named Akiko. Knowing that they need money to keep Akiko alive, he takes a job detonating mines in the ocean around Japan. When he finds a much larger and more powerful Godzilla is on the way to attack Japan, he teams up with other veterans from the war to defeat the monster.
There are quite a few Godzilla movies that mostly focus on the monster. (I’m pretty sure most of those are American-produced versions.) Minus One is an extremely emotional story about the effects of war and survivor’s guilt and doing what is necessary in order to survive. While I know these are somewhat common themes in the Japanese-produced Godzilla movies, I have never seen one this emotional. We really get to see Shikishima break down over his perceived failures as a man. And Noriko’s anguish at not being able to help someone she loves overcome what the war has done to him. Seeing all of this in color was already amazing and beautiful. Seeing it in black and white was very different. Somehow it made everything feel more important or more heartbreaking. I didn’t think I could enjoy this movie more, but the black and white version proved me wrong.
Rating: A